Extraordinary philosophy links

Erik Desmazieres' illustration for Borges' 'Library of Babel'

Source of above image.

From Philosopher's Zone, 'We need to talk about Hegel' -- Joe Gelonesi talks to Paul Redding about Hegel.

On John Stuart Mill's annotations of Emerson's Essays:

When Mill turned to the Essays themselves, there was a good deal of marking up in the margins – which confirms that a passage caught his attention – and frequent asides, many of them simply a damning word or two .... If ‘sense’ was present, the more heavily annotated essays suggest that Mill thought ‘nonsense’ prevailed.

On BBC Radio 4's In Our Time, Melvyn Bragg talks to David Wootton, Michael Moriarty, and Michela Massimi about Pascal.

From the same source, Mel Bragg, Stephen Mulhall, Ray Monk, and Julia Tanney on ordinary language philosophy.

Ever the Leibnizian, Borges countenanced extraordinary language philosophy:

There was also hope that the fundamental mysteries of mankind -- the origin of the Library and of time -- might be revealed. In all likelihood those profound mysteries can indeed be explained in words; if the language of the philosophers is not sufficient, then the multiform Library must surely have produced the extraordinary language that is required, together with the words and grammar of that language. (Jorge Luis Borges, 'The Library of Babel')

From the mid-1980s, an article on 'Ordinary and Extraordinary Language in Medieval Jewish and Islamic Philosophy' by L. E. Goodman. Some of the medieval Islamic philosophers influenced Ramón Llull (whose ars combinatoria was to have captured the 'interrelationships of Platonic forms'). Llull's ideas influenced Leibniz's notion of a characteristica universalis, which was essential to Lebniz's dreamed of unified and universal science. Llull, Leibniz, and Borges figure prominently in William Woof's 'Borges, Cervantes & Quine. Reconciling Existence Assumptions and Fictional Complexities in “Pierre Menard, Author of Don Quixote”', which appeared in the 1999 volume of Variaciones Borges.

On WHY? Radio, Joseph Margolis on 'The Unity of the Sciences: Is All Knowledge Connected?'

From Philosophy Bites, 'Rom Harré on the Linguistic Turn in Philosophy' and John Tasioulas on human rights.

Steven Nadler on why Spinoza was excommunicated.

Samuel Moyn on dignity in recent books by Jeremy Waldron and Michael Rosen.


The Mind Body Problem: An interview with Ned Block from Imaginal Disc on Vimeo.

Delmore and Lou

James & Alma Agee with Delmore Schwartz (1939)

Source of above photo.

Zachary Braiterman draws attention to Lou Reed's days at Syracuse University, where Reed took classes with the poet Delmore Schwartz (on whom Saul Bellow based Humboldt's Gift). A classmate, James Gorney, says Schwartz sometimes went drinking with Reed and him.

Reed loved poetry, but I didn't think he was really a poet until I read his 'O Delmore how I miss you: dreams from his teacher', a testimonial to Schwartz' influence. It was published as the Preface in New Directions' re-issue of Schwartz's In Dreams Begin Responsibilities. Here's an audio file of Reed reading from the eponymous story of the collection (the title of which was drawn from an epigraph in a volume of Yeats' poems). The story was first published in the Partisan Review in 1937. Here are Lee Smith's reflections on Reed's ode to his mentor.

Late in his life, in 2007, Reed created a scholarship at Syracuse University. He called it the Lou Reed/Delmore Schwartz Scholarship.

Reed's song 'My House' was partly about Schwartz. According to that link, Reed said, 'Delmore Schwartz was my teacher and friend. He was the smartest, funniest, saddest person I'd ever met. He had a large scar on his forehead he said he got dueling with Nietzsche. I was Dedalus to his Bloom.' (I can't find the original source for that quotation.) An earlier song by the Velvet Underground, 'European Son', was dedicated to Schwartz.

Menachem Feuer has a post on the relation between Schwartz and Reed.

Schwartz studied philosophy in New York with Sidney Hook and proceeded from there to do graduate work in philosophy at Harvard. He was drawn to Harvard because ... well, because it was Harvard but also because of Alfred North Whitehead. While he didn't complete his doctorate, Schwartz received high grades at Harvard and retained a lasting admiration for Whitehead. Indeed, he prefaced one of his poems, 'Heavy Bear...', with a quotation of Whitehead.

Another of Schwartz' philosophical associates was William Barrett, who worked with Schwartz at the Partisan Review.

Hear Schwartz reading his poem 'Swift'.